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<!--Generated by Squarespace Site Server v5.8.2 (http://www.squarespace.com/) on Mon, 23 Nov 2009 10:28:54 GMT--><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rss="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:cc="http://web.resource.org/cc/"><rss:channel rdf:about="http://creativitycentral.squarespace.com/creativity-central/"><rss:title>Creativity Central</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/</rss:link><rss:description></rss:description><dc:language>en-US</dc:language><dc:date>2009-11-23T10:28:54Z</dc:date><admin:generatorAgent rdf:resource="http://www.squarespace.com/">Squarespace Site Server v5.8.2 (http://www.squarespace.com/)</admin:generatorAgent><rss:items><rdf:Seq><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/11/22/ideabook-with-voices-explorations-in-creativity.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/11/9/what-we-know-what-we-dont-know-what-we-dont-want-to-know.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/11/1/creativity-or-lessons-from-duck-hunting-and-mamet.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/10/25/the-unusual-suspects-8-innovation-and-vulnerability.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/10/20/the-unusual-suspects-7-john-maeda-and-bruce-nussbaum-on-desi.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/10/19/the-unusual-suspects-6-alan-webber-playing-fast-with-the-rul.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/10/16/the-unusual-suspects-5-breaking-the-ice-with-nestle-and-helm.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/10/13/the-unusual-suspects-4-jonah-lehrer-either-or-and-sometimes.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/10/8/the-unusual-suspects-3-scenes-from-bif-2-doing-and-knowing.html"/><rdf:li rdf:resource="http://creativitycentral.squarespace.com/creativity-central/2009/10/7/the-unusual-suspects-3-scenes-from-bif-2-humanity-and-humana.html"/></rdf:Seq></rss:items></rss:channel><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/11/22/ideabook-with-voices-explorations-in-creativity.html"><rss:title>Ideabook with Voices. Explorations in creativity.</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/11/22/ideabook-with-voices-explorations-in-creativity.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-11-22T20:43:06Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p>T<span style="font-size: 120%;">en years ago, I discovered a gem of book. &nbsp;It's called </span><em style="font-size: 120%;"><span style="font-size: 120%;">Sketchbook with Voices.</span></em><span style="font-size: 120%;"> &nbsp;It was a collaboration of Eric Fischl and Jerry Saltz. &nbsp;The premise was to ask a variety of artists "What's the best assignment you can give an art student?" &nbsp;The result is a book that invites you to play with ideas right on the page and beyond.</span></p>
<p><span style="font-size: 120%;">Over the years, I have added to the book, creating my own assignments and inspirations for artists, writers and creative thinkers. &nbsp;(SV is Fischl and Saltz's questions and CC are mine.) The questions are provocative, whimsical, non-linear, and some tap into emotional experiences as a source of ideas.</span></p>
<p><span style="font-size: 120%;">So, I invite you to fill your head with some of these voices and then listen to your own. &nbsp;</span></p>
<p><span style="font-size: 120%;">Hold an object behind your back and recreate it drawing with your other hand. &nbsp;SV</span></p>
<p><span style="font-size: 120%;">Do your own work but use someone else's clothes. SV</span></p>
<p><span style="font-size: 120%;">Make a work (drawing or painting) and then immediately create work that satirizes it. &nbsp;SV</span></p>
<p><span style="font-size: 120%;">Paint faster than you can think. &nbsp;SV</span></p>
<p><span style="font-size: 120%;">Read a passage from&nbsp; T.S. Eliot's <em>The Wasteland </em>and make a picture from it. &nbsp;SV</span></p>
<p><span style="font-size: 120%;">Choose a spot and put an X on the ground. &nbsp;For the next few weeks, take a photograph every day of only those things you can see while you are touching that X. &nbsp;SV</span></p>
<p><span style="font-size: 120%;">Close your eyes and touch a person's face (yes, get permission first) &nbsp;-- feel that face and without looking draw that face from tactile memory. &nbsp;CC</span></p>
<p><span style="font-size: 120%;">Draw a piece of fruit on paper and then cut the drawing up and rearrange it on the page in any form you wish. &nbsp;CC</span></p>
<p><span style="font-size: 120%;">Find an object to draw and imagine you are infatuated with it. Then, draw the same object as if it repels you.&nbsp;Then, do the same assignment with words. &nbsp;CC</span></p>
<p><span style="font-size: 120%;">Take a package of clothes pins (any kind) and create three sculptures from it. &nbsp;CC</span></p>
<p><span style="font-size: 120%;">Enjoy.</span></p>
<p><span style="font-size: 120%;">P.S. Please feel free to share your results by sending a JPEG to inotivity@gmail.com</span></p>
<p>&nbsp;</p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/11/9/what-we-know-what-we-dont-know-what-we-dont-want-to-know.html"><rss:title>What we know. What we don’t know. What we don’t want to know.</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/11/9/what-we-know-what-we-dont-know-what-we-dont-want-to-know.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-11-09T22:39:13Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span style="font-size: 120%;"><span class="full-image-float-left ssNonEditable"><img style="width: 150px;" src="http://creativitycentral.squarespace.com/storage/HAHofferPic.jpg?__SQUARESPACE_CACHEVERSION=1257806525069" alt="" /></span>Perhaps we have a hernia to thank.&nbsp; </span></p>
<p><span style="font-size: 120%;">In 1942, Eric Hoffer attempted to enlist in the armed forces in San Francisco was rejected because of a hernia. A former migratory worker and longshoreman, Hoffer received laudatory notices in 1951 for his book </span><em style="font-size: 120%;"><span style="font-size: 120%;">The True Believer</span></em><span style="font-size: 120%;">. &nbsp;.</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">Of his early life, Hoffer has written: &ldquo;I had no schooling. I was practically blind up to the age of fifteen. When my eyesight came back, I was seized with an enormous hunger for the printed word. I read indiscriminately everything within reach&mdash;English and German.&rdquo;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">Occupying a prized position on my desk is his book &ldquo;The Passionate State of Mind.&rdquo; It is a&nbsp; collection of 280 aphorisms &ndash; ideas and insights on everything from passion to the art of living.</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;"># 58 is one of my favorites. &ldquo;Far more crucial than what we know or do not know is what we don&rsquo;t want to know.&nbsp; One often obtains a clue to person&rsquo;s nature by discovering the reasons for his or her imperviousness to certain impressions.&rdquo;&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">At my Inotivity Seminars, I often ask the question &ldquo;What don&rsquo;t you want to know? Or what does your company not want to know?&rdquo;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">Nell Merlino, Founder, President and CEO of <em>Count Me In</em> for Women&rsquo;s Economic Independence, recently talked at BIF5 (Collaborative Innovation Summit) in Providence and talked about some of the barriers women face in growing their business &ldquo;Some women believe that if they pay attention to numbers, their dreams will die.&rdquo;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">What didn&rsquo;t they want to know? </span><em style="font-size: 120%;"><span style="font-size: 120%;">They didn&rsquo;t want to know that the effort and motivation they were investing in a dream wasn&rsquo;t paying off</span></em><span style="font-size: 120%;">. (Merlino added that the opposite is actually true.)</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">It is a great question to inspire creativity and deeper thinking.&nbsp; There are always easier questions to ask.&nbsp;&nbsp; What do you know? What don&rsquo;t you know or need to know?&nbsp; But what don&rsquo;t you want to know?&nbsp; Or what are you avoiding or clouding or ignoring may be a strong key to solving your biggest challenge.</span></p>
<p><span style="font-size: 120%;">Here is an example in a larger organization.&nbsp; The answer to What don&rsquo;t we want to know may be &ldquo;our business model or product&rdquo; may be obsolete.&nbsp; (Think the brick and mortar DVD or music store vs. broadband downloads and streaming).&nbsp; But that very question could be the catalyst to transforming your model or finding new ways to deliver value.&nbsp; That&rsquo;s where an innovation initiative is critical.&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">So 58 it once in a while.&nbsp; Check out Hoffer&rsquo;s </span><em style="font-size: 120%;"><span style="font-size: 120%;">The Passionate Mind</span></em><span style="font-size: 120%;"> for more.&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>
<p><span style="font-size: 120%;"> </span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/11/1/creativity-or-lessons-from-duck-hunting-and-mamet.html"><rss:title>Creativity; Or, lessons from duck hunting and Mamet.</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/11/1/creativity-or-lessons-from-duck-hunting-and-mamet.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-11-01T16:23:19Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span style="font-size: 120%;"><span class="full-image-float-left ssNonEditable"><span><img style="width: 150px;" src="http://creativitycentral.squarespace.com/storage/DECOYS.jpg?__SQUARESPACE_CACHEVERSION=1257092745659" alt="" /></span></span>A few years ago I came across an essay by David Mamet called &ldquo;The Audience: Or, lessons from duck hunting. (Bambi vs. Godzilla, 2007)</span></p>
<p><span style="font-size: 120%;">It has resonated with me ever since.</span></p>
<p><span style="font-size: 120%;">&ldquo;A duck decoy doesn&rsquo;t need to look like a duck. It needs to look like a duck to a duck.&nbsp; Wisdom, therefore, lies not in the phenomenological question &lsquo;What does a duck look like?&rsquo;&nbsp; But, rather, in the practical &lsquo;What is a duck looking for?</span></p>
<p style="font-size: 120%;">&ldquo;A wealthy hunter might bespeak a decoy realistic to the nth degree. This decoy might be realistic in every particular of size, form, color, and yet the poor hunter in the next blind down might be attracting all the ducks with his roughed out and unpainted decoy.&nbsp; Why is that?&rdquo;</p>
<p><span style="font-size: 120%;">It was a metaphor for the evolving relationship with movie producers and the audience.</span></p>
<p><span style="font-size: 120%;">But it applies equally as well to marketers.</span></p>
<p><span style="font-size: 120%;">Typically, a client will say they need a brochure.&nbsp; We marketers who are consistently in the wooing mode, say &ldquo;we can do that.&rdquo; Sure, we can create a wonderfully-crafted decoy.</span></p>
<p><span style="font-size: 120%;">What we really want to say is &ldquo;Do you really need a brochure?&rdquo;&nbsp; &ldquo;Who is the audience and what do you want them to feel, think or act?&rdquo; The good agencies do that.&nbsp; But most are still in the decoy business. &nbsp;</span></p>
<p><span style="font-size: 120%;">The yang problem is that often the audience doesn&rsquo;t or can&rsquo;t articulate what they want.&nbsp; The classic story, probably apocryphal, is from Henry Ford. &ldquo;If I asked people what they wanted, they would probably say faster, more comfortable carriages.&rdquo;</span></p>
<p><span style="font-size: 120%;">So how do we stop creating decoys?&nbsp; That&rsquo;s the value of creativity. Don&rsquo;t start with answer. Start with a question.&nbsp; How might we get more people to attend our college?&nbsp; How might we get more people to invest with our bank? Or how can we start building trust with a prospect?<br /></span></p>
<p><span style="font-size: 120%;">One answer may be a brochure. Or maybe it&rsquo;s better word of mouth. Or something no one else is doing.</span></p>
<p><span style="font-size: 120%;">I&rsquo;m bringing a duck to my next meeting.&nbsp; How about you?</span></p>
<p><span style="font-size: 120%;">&nbsp;</span></p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/10/25/the-unusual-suspects-8-innovation-and-vulnerability.html"><rss:title>The Unusual Suspects 8: Innovation and Vulnerability</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/10/25/the-unusual-suspects-8-innovation-and-vulnerability.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-10-25T18:06:57Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span style="font-size: 120%;"><span class="full-image-float-left ssNonEditable"><span><img style="width: 150px;" src="http://creativitycentral.squarespace.com/storage/Vulnerability_Managemen.jpg?__SQUARESPACE_CACHEVERSION=1256494505978" alt="" /></span></span>It all began with a spontaneous comment by host Saul Kaplan on the second day of the BIF5 Collaborative Innovation Summit.&nbsp; After thanking two of the speakers, he made the observation that there is a strong connection between vulnerability and innovation.</span></p>
<p><span style="font-size: 120%;">The bloggers and tweeters, all noted the remark. During the next break, I asked Saul what he meant. He told me he was reacting to each innovator&rsquo;s openness to new and often contradictory ideas.</span></p>
<p><span style="font-size: 120%;">Melissa Withers, Executive Director of the Business Innovation Factory, echoed the same idea a few days later in an interview with Ted Nesi of the Providence Business News. &nbsp;&nbsp;<span style="font-size: 12px;"><strong><span style="font-size: 120%;">&ldquo;</span></strong><span style="font-size: 120%;">I saw a</span><strong><span style="font-size: 120%;"> </span></strong><span style="font-size: 120%;">deep and authentic vulnerability that was inseparable from their strength. In both cases, they showed that innovation requires an openness to the world that most of us are afraid of, whether we realize it or not. It was as though a flashbulb went off in my head, and now I can see things &ndash; about my business and about myself &ndash; that I couldn&rsquo;t see before.&rdquo;</span></span></span></p>
<p><span style="font-size: 120%;">Both observations, reveal another paradox of innovation. Innovators need a healthy degree of both confidence and openness to succeed.&nbsp; Bill Taylor, co-founder of Fast Company says, &ldquo;I find that the best leaders demonstrates a capacity for </span><em style="font-size: 120%;"><span style="font-size: 120%;">vuja d</span></em><span style="font-size: 120%;">&eacute;.&rdquo; It is the flip side of d&eacute;j&agrave; vu &ndash; experiencing&nbsp; the familiar in a whole new way.&nbsp; It is an openness to reevaluating the status quo.</span></p>
<p><span style="font-size: 120%;">The idea of &ldquo;openness&rdquo; isn&rsquo;t new, but what makes it provocative is that we continually have to watch for our own evolving blind spots.&nbsp; It is a continual process of rethinking what works and what doesn&rsquo;t.&nbsp; I think it is a variation of what Robert and Michele Root-Bernstein call &ldquo;Schooling the Imagination.&rdquo;&nbsp; It is about schooling an &ldquo;innovation mind-set.&rdquo; It is being open when staying closed would be easier alternative.</span></p>
<p><span style="font-size: 120%;">BIF is all about </span><em style="font-size: 120%;"><span style="font-size: 120%;">vuja d</span></em><span style="font-size: 120%;">&eacute;.&nbsp; It is putting ideas under a collective microscope and seeing what new species of ideas we can find.</span></p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/10/20/the-unusual-suspects-7-john-maeda-and-bruce-nussbaum-on-desi.html"><rss:title>The Unusual Suspects 7: John Maeda and Bruce Nussbaum on design.</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/10/20/the-unusual-suspects-7-john-maeda-and-bruce-nussbaum-on-desi.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-10-21T01:44:55Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span style="font-size: 130%;">Since the publication of </span><em style="font-size: 130%;"><span style="font-size: 130%;">The Laws of&nbsp; Simplicity,</span></em><span style="font-size: 130%;"> Joh</span><span style="font-size: 130%;">n </span><span style="font-size: 130%;">Maeda has become the patron saint of the art balancing simplicity and complexity.&nbsp;</span></p>
<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 150px;" src="http://creativitycentral.squarespace.com/storage/imkelass.jpg?__SQUARESPACE_CACHEVERSION=1256090071443" alt="" /></span></span>A former professor at the Massachusetts Institute of Technology, Maeda taught media arts and sciences there for 12 years and served as Associate Director of Research at the MIT Media Lab. Today, he is the president of the Rhode Island School of Design, a place world renown for nurturing artists and designers of all stripes.</p>
<p>At BIF5, he was interviewed by co-host Bruce Nussbaum, Professor of Innovation and Design at the Parson&rsquo;s School For Design. Considering their mutual interests, it was an interesting pas de deux.</p>
<p>The interview was an odd m&eacute;lange of non sequiturs that got the audience laughing when host Saul Kaplan said, &ldquo;I hope someone will provide a good translation of what just happened.&rdquo;</p>
<p>But it&rsquo;s all part of the art of BIF. Ironically, it made many in the audience want&nbsp;to discover more about both Maeda and Nussbaum. &nbsp;Each has made an&nbsp;impact on how "innovation" and "design" are framed in current discussions in both the classroom and in corporate America.</p>
<p>If Maeda could design a new curriculum for innovators, he would start with a pencil, paper and sketchpad.&nbsp;These supplies would not be for taking notes or brainstorming ideas. Rather, Maeda would use art as a way to open the mind, stimulate creativity and cultivate truly radical ideas.</p>
<p>&ldquo;If you think of design as a way of making ideas, I think art is the idea itself. Art thinking is everything that design thinking isn&rsquo;t,&rdquo; he says. &ldquo;If you think of an image, you have the image and then you have everything that sits in the white space. Art is the part that isn&rsquo;t defined yet and I find that perspective quite exciting.</p>
<p>&ldquo;So many organizations and companies are downtrodden in this economy -- they are dead inside -- because they have lost the ability to imagine. They need something more vibrant, more emotional, and more connected to being human. When asked to distill down to the basic principles of art thinking, Maeda thinks it starts with reacquainting ourselves with an &ldquo;almost child-like fascination with the world.&rdquo;</p>
<p>In many ways, it echoes the core of Matthew Crawford&rsquo;s excellent book, <em>Shop Class as SoulCraft.</em>&nbsp; Crawford&rsquo;s book is about the loss of manual competence and Maeda&rsquo;s is about disconnecting temporarily from the digital world and reconnecting with &ldquo;thinking&rdquo; and expressing ideas in the simplified realm of pencil, paper and thought.</p>
<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 150px;" src="http://creativitycentral.squarespace.com/storage/bruce-nussbaum.jpg?__SQUARESPACE_CACHEVERSION=1256090114440" alt="" /></span></span>In the past year, Bruce Nussbaum took on a new career -- &nbsp;Professor of Innovation and Design at The New School at the Parsons School For Design.</p>
<p>As BIF&rsquo;s Christine Flanagan writes,<span style="color: #333333;"> &ldquo;</span>Nussbaum recently launched the university&rsquo;s core lecture series &ldquo;Life in Beta&rdquo; to show students how design tools, methodologies and approaches can move us forward in today&rsquo;s environment. His class focuses on the demographic, technological, cultural, economic and political changes that are disrupting our social organizations and personal lives.</p>
<p>&ldquo;I really want to push students to think widely about the forces shaping their lives,&rdquo; explains Nussbaum. &ldquo;Gen Y is perhaps the most dynamic cohort and it&rsquo;s critically important they learn to harness the tools and methods of 21st century design.&rdquo; &nbsp;</p>
<p>Nussbaum believes that design holds the key to change because of its ability to redesign large-scale social systems: &ldquo;Design gives people the ability to be one with the consumer culture&ndash;to be anthropologists and sociologists and deeply understand the myriad cultures around them. It has a set of tools and methods that can guide us towards a much better way of doing things.&rdquo;</p>
<p>&nbsp;</p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/10/19/the-unusual-suspects-6-alan-webber-playing-fast-with-the-rul.html"><rss:title>The Unusual Suspects 6: Alan Webber Playing Fast with the Rules</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/10/19/the-unusual-suspects-6-alan-webber-playing-fast-with-the-rul.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-10-19T21:42:56Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p>&nbsp;</p>
<p><span style="font-size: 130%;"><span class="full-image-float-left ssNonEditable"><span><img style="width: 150px;" src="http://creativitycentral.squarespace.com/storage/ishot-1428.jpg?__SQUARESPACE_CACHEVERSION=1255988938528" alt="" /></span></span>In the relatively tiny geography of business magazine world, it was the equivalent of a pre-1981 Beatles reunion.</span> Alan Webber and Bill Taylor, co-founders of <em>Fast Company</em> magazine, took the stage together at BIF5 for the first time in many years.</p>
<p>It was easy to see the synergy they brought to an&nbsp;enterprise that became the fastest growing, most successful business magazine in history. Webber talked about his 5-year experience as managing editor and editorial director of the <em>Harvard Business Review</em>.</p>
<p>&nbsp;He lead the journal&rsquo;s visual redesign and created the architecture for its editorial performance that continues to this day.</p>
<p>The idea for <em>Fast Company</em> began when Webber spent time in Asia and began to see China and other emerging markets as a big idea. But HBR wasn&rsquo;t as enthusiastic about Webber&rsquo;s perspective.</p>
<p>So, he and Taylor worked on a model for a magazine that would push the envelope beyond the clinical to include a social perspective of business. Fortunately, they had the serendipity to enter the market just as the internet began its ascendency.</p>
<p>Bill Taylor has been a strong supporter of BIF since the first conference and has co-hosted the event for the past years. Seeing them together was a glimpse of their complementary strengths. Taylor is adrenaline and Webber is cerebral.&nbsp; But the joy is seeing them reverse roles.&nbsp; They are both good listeners.</p>
<p>&nbsp;Later in the day, Webber gave a 25-minute talk based on his new book &ldquo;Rules of Thumb: <em>52 Truths for Winning at Business without Losing Yourself.&rdquo; </em>was published this year to great reviews. Webber said, &ldquo;<em>Rules of Thumb</em> is in part a memoir: In writing it I drew from more than 30 years of work and life experiences. Some of the rules come from the 1970s when I worked in the Mayor's Office in Portland, Oregon; some come from my time working as the editorial director of the Harvard Business Review; quite a few derive from the experiences I had in launching and editing <em>Fast Company</em>.&rdquo;</p>
<p>The 52 rules come from real-life lessons learned and recorded on 3&rdquo;x 5&rdquo; cards, a technique borrowed from one of the many mentors whose teachings Webber captures in his book.</p>
<p>Here are just two of the 52 rules.&nbsp;</p>
<p><strong>Rule #5. Change is a math formula.</strong> Webber faced the crowd at BIF5 and said, &ldquo;Change is really a math formula.&nbsp; Change happens when the cost of the status quo is greater than the risk of change.&nbsp; C(SQ)&gt;R(C).</p>
<p>(This echoes Pip Coburn&rsquo;s Change Function &ldquo;most people will not adopt a new technology until the perceived benefits outweigh the perceived pain of trying to learn something new.&rdquo;)</p>
<p>&ldquo;I learned this lesson more than 30 years ago,&rdquo; adds Webber.&nbsp; &ldquo;Since then I have been involved and written about dozens of change efforts.&nbsp; Usually they involve deeply committed people who believe in their cause, are convinced they&rsquo;re right, and are prepared to sacrifice their careers, if that&rsquo;s what it takes to win. Most of the time, they lose and sacrifice their careers.&rdquo;</p>
<p>Webber says it&rsquo;s not enough to be convinced you&rsquo;re right.&nbsp; The other side is equally convinced it&rsquo;s right. &ldquo;On the other hand, if you really want to win, rather than settling for dying for a cause, there are some techniques and tactics that can help change the math in your favor.&rdquo;</p>
<p>&ldquo;It&rsquo;s not enough to be against something that&rsquo;s bad &ndash; you&rsquo;ve got to be for something that&rsquo;s better.&nbsp; This is particularly true if you&rsquo;re trying to convince the boss or the voters that the status quo isn&rsquo;t good for them.&nbsp; Frustrated as you may be by the status quo, keep your powder dry until you&rsquo;ve worked out the details, the arguments, the economics, and the math of your much better alternative.&rdquo;</p>
<p>&ldquo;Learning to make change is all about learning to do the math of change. Done right, it&rsquo;s not just a soft art, it&rsquo;s also a hard science.&rdquo;</p>
<p><strong>Rule #10.&nbsp; A good question beats a good answer.</strong></p>
<p>Webber writes in his book, &ldquo;Questions are how we learn. Which means questions are how we create change.&nbsp; Why? Because questions are dangerous. Imagine being alive and the mid 1500s and asking whether the sun revolves around the Earth or the Earth around the sun?</p>
<p>Questions are liberating.&nbsp; Questions are useful.&nbsp; Questions are how we avoid disasters.</p>
<p>&ldquo;So,&rdquo; Webber says, &ldquo;why is it so hard for companies to embrace the art of asking good questions?&nbsp; It&rsquo;s not what you don&rsquo;t know that will hurt you and your business. It&rsquo;s what you don&rsquo;t bother to ask that will kill you.</p>
<p>Asking questions can be dangerous.&nbsp; Not asking them can be fatal.&nbsp; Now, any questions?&rdquo;</p>
<p>Creativity Central weighs in with another rule.&nbsp; <strong>&ldquo;Bad leaders don&rsquo;t invite questions.&rdquo;&nbsp; </strong>I have seen this phenomenon at advertising agencies, colleges, financial institutions and hospitals.&nbsp; Questions seem to threaten rather than intrigue poor leaders.&nbsp;</p>
<p>Tom Monahan, in his terrific book, The Do-It-Yourself Lobotomy,&rdquo; writes about one of his top creative tools:&nbsp; &ldquo;Ask a better question.&rdquo;</p>
<p>One of the core ideas that have emerged from each of the BIF conferences is that top innovators have asked a provocative question. At BIF4, Dennis Littky asked &ldquo;is the a smarter way to educate kids?&rdquo; Debra Books, the Michael J. Fox Foundation co-founder asked how can we bring together the best minds and ideas to help treat and eventually cure Parkinson&rsquo;s Disease?</p>
<p>At BIF5, the questions were equally as provocative.&nbsp; How can education evolve to better meet the student&rsquo;s experience?&nbsp; Is there a better to (un)mass produce a car?&nbsp; What value can an &ldquo;independent&rdquo; diplomat bring to the table?&nbsp; Can an health insurance company authentically sell &ldquo;wellness?&rdquo;</p>
<p>Which brings me to Webber rule #52. &nbsp;Stay alert. There are teachers everywhere.&rdquo;</p>
<p>&nbsp;</p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/10/16/the-unusual-suspects-5-breaking-the-ice-with-nestle-and-helm.html"><rss:title>The Unusual Suspects 5: Breaking the ice with Nestle and Helmut Traitler.</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/10/16/the-unusual-suspects-5-breaking-the-ice-with-nestle-and-helm.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-10-16T18:49:30Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span style="color: #333333;"><br /></span></p>
<p><span style="color: #333333;"><span class="full-image-float-left ssNonEditable"><span><img src="http://creativitycentral.squarespace.com/storage/helmut-traitler.jpg?__SQUARESPACE_CACHEVERSION=1255719478375" alt="" /></span></span>This is less a story about teaching the elephant to dance than teaching the pachyderm how to collaborate.</span></p>
<p><span style="color: #333333;">Helmut Traitler is the Vice President of Innovation Partnerships at Nestl&eacute; and he is doing what many have failed to do: re-orient a behemoth multi-national corporation around the proposition that &ldquo;sharing-is-winning.&rdquo;</span></p>
<p><span style="color: #333333;">Traiter's resume is impressive. He has published more than 60 scientific papers and 25 International patents. He received an Honorary Professor for Chemistry from the University of York, UK (1999). &nbsp;He is gifted at applying science to innovation models.<br /></span></p>
<p><span style="color: #333333;">But the story begins at BIF4. Last year, David Yaun, V.P. of Corporate Communications at IBM&nbsp; told us about the mercurial experience of spearheading the computing giant&rsquo;s Global Innovation Outlook Program.&nbsp;</span></p>
<p><span style="color: #333333;">The idea, backed by IBM&rsquo;s CEO was for the company to take the unprecedented step of opening up their annual technology and business forecasting processes to the world.</span></p>
<p><span style="color: #333333;">Yaun said, &ldquo;The GIO is rooted in the belief that the very nature of innovation has changed in the early days of the 21st century. It is increasingly open, collaborative, multi-disciplinary and global. This shift means that the truly revolutionary innovations of our time require participation across multiple silos and organizations.&rdquo; </span></p>
<p><span style="color: #333333;">Despite a lot of pushback and &ldquo;are you crazy?&rdquo; comments internally, the GIO has been a success.&nbsp; </span></p>
<p><span style="color: #333333;">Open innovation, like open source, seems counterintuitive to larger companies.&nbsp; Their competitive advantage is often (Like Apple) is about holding intellectual property close to the vest.&nbsp; Open innovation is he deceptively simple idea that companies integrate external ideas and capabilities into their internal innovation strategy. </span></p>
<p><span style="color: #333333;">According to BIF&rsquo;s Melissa Withers, &ldquo;Until a few years ago, Nestl&eacute;, like most organizations with fully developed R&amp;D capability, depended almost entirely on its internal R&amp;D capability to drive its innovation agenda. &ldquo;The only area where external innovation was traditionally used was in packaging, where we probably had 70% of all innovation were coming from outside,&rdquo; says Traitler.</span></p>
<p><span style="color: #333333;">All this changed in 2005 when the team deepened its focus on open innovation.&nbsp; Nestl&eacute; set out to expand its network of global partnerships and fully embed the &ldquo;sharing-is-winning&rdquo; slogan in its corporate strategy.</span></p>
<p><span style="color: #333333;">Innovation is not an option for Nestl&eacute; , it&rsquo;s a necessity, reports Withers. &nbsp;Nestl&eacute;&rsquo;s growth targets hinge on the company&rsquo;s ability to create an additional $5 billion in growth each year. The immensity of this figure speaks for itself because a significant part of this growth must be generated through innovation. </span></p>
<p><span style="color: #333333;">This explains why even during the recent economical crisis, Nestl&eacute; continues to spend more than $2 billion annually on R&amp;D.</span></p>
<p><span style="color: #333333;">Nestl&eacute;'s size was both an advantage and a hurdle to building momentum for a truly open innovation framework. To overcome these barriers the team has adopted a few rules of the road. The first: move fast. Then move faster. It&rsquo;s important to demonstrate results and successes quickly.&nbsp; Beyond the organizational hurdles open innovation advocates must clear, he cites an organization&rsquo;s authenticity as a major driver of whether an effort succeeds or fails.</span></p>
<p><span style="color: #333333;">Taking the stage with Bruce Nussbaum, Traitler said, &ldquo;open innovation&rdquo; is a buzzword &ndash; &ldquo;when people don&rsquo;t know what they&rsquo;re talking about, they coin buzzwords.&rdquo; &nbsp;Then, he gave an example of a recent innovation initiative at Nestle.</span></p>
<p><span style="color: #333333;">ice cream without keeping it cold and solid throughout the process of making it and distributing it?&nbsp; This is not an inconsequential problem if the cost of transportation in cold storage vehicles and maintaining it through the final sale is freezing most of it&rsquo;s profitability.</span></p>
<p><span style="color: #333333;">His question. &ldquo;Can we make a foam that can ship warm then be cooled before selling? &nbsp;Nestl&eacute;&rsquo;s approach to open innovation is not to invite the world to participate and show competitors their strategy, but to selectively invite outside experts to add enhance their process.&nbsp; The problem is given to outside experts in a disguised way and then revealed as Nestl&eacute; collaborates with them.</span></p>
<p><span style="color: #333333;">What intrigued me is what I have continually discovered with innovation gurus like Gerald Haman and Arthur VanGundy. The core of innovation is asking the right questions and inviting answers from diverse sources.&rdquo;</span></p>
<p><span style="color: #333333;">You could feel the BIF audience raise a collective eyebrow with the idea of foam-based ice cream. But for an innovator, the question is a fascinating one.&nbsp; What if you could save billions by how you create the product?&nbsp; What if the product actually tasted as well or better than the ice cream we have today?</span></p>
<p><span style="color: #333333;">Pringles asked a similar question about stackable, &ldquo;unbreakable&rdquo; potato chips.&nbsp; </span></p>
<p><span style="color: #333333;">So we&rsquo;ve seen two elephants dance and collaborate in the past two years.&nbsp; Big isn&rsquo;t always better but it&rsquo;s getting a heck of a lot smarter.</span></p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/10/13/the-unusual-suspects-4-jonah-lehrer-either-or-and-sometimes.html"><rss:title>The Unusual Suspects 4: Jonah Lehrer Either Or and Sometimes And</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/10/13/the-unusual-suspects-4-jonah-lehrer-either-or-and-sometimes.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-10-13T20:01:31Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span style="font-size: 120%;"><span class="full-image-float-left ssNonEditable"><img style="width: 150px;" src="http://creativitycentral.squarespace.com/storage/jonah_lehrer.jpg?__SQUARESPACE_CACHEVERSION=1255464418639" alt="" /></span>A few weeks before BIF5, I wrote a small catalyst note for an upcoming article. I wrote &ldquo;Either/Or and Sometimes And&rdquo;</span>&nbsp;</p>
<p>This was followed by a borrowed mathematical term &ldquo;binary thinking.&rdquo;</p>
<p>Basically, the vague thought was about how many companies approach innovation. It is an either/or proposition. Generally, they know two things about innovation from the media. One is innovate or die. And the other is that a high percentage of innovation efforts fail.</p>
<p>Both are right and both are gross misinterpretations of how innovation can work in a company.&nbsp; The typical decision model focuses on alternate choices but I notice the simple word &ldquo;and&rdquo; is not used as an innovation tool.</p>
<p>All of which brings me to Jonah Lehrer. A 29-year-old graduate of Columbia University and a Rhodes Scholar, Lehrer is the author such books called <em>How We Decide </em>and<em> Proust was a Neuroscientist.</em></p>
<p>Think of Lehrer as the Carl Sagan of the brain.&nbsp; He has a remarkable ability to translate the complex functioning of the brain, as well as the latest research, into humanese.&nbsp;</p>
<p>At BIF5, he took the stage and gave the audience a provocative &ldquo;And.&rdquo;&nbsp; &ldquo;We weren&rsquo;t designed to be rational creatures,&rdquo; Lehrer asserts. &ldquo;Instead the mind is a messy network of different areas, many of which are involved in the production of emotion.&nbsp; The simple truth is that making good decisions requires us to use both sides of the mind. <strong>For too long, we&rsquo;ve treated human nature as an either/or situation. </strong>We are either rational or irrational.&nbsp; Not only are these dichotomies false, they are destructive,&rdquo; he adds. &ldquo;Our brains are definitely pluralistic.&rdquo;</p>
<p>At BIF, he talked about Antonio Damasio, a neuroscientist at the University of Southern California. In the early 1990s, Damasio began publishing a series of landmark papers describing the symptoms of patients who, after a brain injury, were unable to perceive or experience emotion. Most scientists assumed that such a deficit would lead to more rational decisions, since the patients were free of their irrational instincts.</p>
<p>Damasio found just the opposite: these dispassionate patients made consistently bad decisions. Some made terrible investments and ended up bankrupt; others started drinking heavily and getting into fights; most just spent hours deliberating over irrelevant details, such as where to eat lunch. The takeaway? When people are cut off from their emotions even the most banal decisions become all but impossible.</p>
<p>While this research has led to a new appreciation for the powers of the unconscious - it's no longer seen as a bizarre Freudian underworld - this brain system isn't perfect.</p>
<p>According to Lehrer, there are lots of unconscious cognitive hiccups, isolating the "heuristics and biases" that cause people to do everything from overbid on eBay to not invest in their 401(k). &ldquo;These flaws are rooted in a part of the mind that people can't control - the unconscious is often referred to as the "automatic system" - so intelligence is no antidote.&rdquo;</p>
<p>Lehrer is like a good referee, he brought an appreciation for seeing the brain as a complex system with a host of checks and balances.&nbsp; And that for truly effective decision making it&rsquo;s not either or, it&rsquo;s an &ldquo;and.&rdquo;&nbsp;</p>
<p>A lesson for companies is not to see innovation as a go or no go. &nbsp;It's about creating value whether it begins with a small team (Like Humana's wellness initiative) or a widespread innovation culture like GE or IDEO.</p>
<p>For some more insights into Lehrer, check out:</p>
<p><a href="http://fora.tv/2009/02/19/Jonah_Lehrer_Inside_My_Mind">h<span style="font-size: 130%;">ttp://</span><span style="font-size: 130%;">fora</span><span style="font-size: 130%;">.</span><span style="font-size: 130%;">tv</span><span style="font-size: 130%;">/2009/02/19/Jonah_</span><span style="font-size: 130%;">Lehrer</span><span style="font-size: 130%;">_Inside_My_Mind</span></a></p>
<p>&nbsp;</p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/10/8/the-unusual-suspects-3-scenes-from-bif-2-doing-and-knowing.html"><rss:title>The Unusual Suspects 3: Scenes from BIF-2 Doing and Knowing</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/10/8/the-unusual-suspects-3-scenes-from-bif-2-doing-and-knowing.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-10-08T16:56:23Z</dc:date><dc:subject>T</dc:subject><content:encoded><![CDATA[<p>Len Schlesinger, the newly installed President of Babson College in Massachusetts, taught at Harvard Business School for 20 years and&nbsp;has held executive positions at Limited Brands and Au Bon Pain. He has also written or co-authored nine books. &nbsp;He says he's so productive because he has a short attention span.</p>
<p>His attention was clearly focused as he took the stage at BIF-5 to talk about innovation and education. Two words that aren't typically found in such close proximity. His charisma and passion are infectious.&nbsp;This upbeat sense of urgency has served Schlesinger well in his long career on both the academic and private sides of business.&nbsp;&ldquo;At the end of the day, on the things that need to get done, my orientation is to get it done before it&rsquo;s not interesting,&rdquo; he says.</p>
<p>He commented about a huge shift he is seeing. &nbsp;The shift from a knowing - doing model to a doing - knowing model. &nbsp;It's a thought that resonated with the crowd of 300 innovators. &nbsp;"There is a kind of information paralysis," &nbsp;he says, that focuses on learning by knowing." &nbsp;The classic Yoda-like proverb &nbsp;"to know and not to do is not to know" shows that it's not a new thought. &nbsp;But the shift is in about how we need to be more ambidextrous in how we learn.</p>
<p>This thought was echoed earlier by Roger Martin,&nbsp;dean of the Joseph L. Rotman School of Management at the University of Toronto. Martin, the&nbsp;author of four books on business innovation, talked about how our current<br />methods of educating college students aren't innovative. &nbsp;<br />&nbsp;<br />Two leaders in education. &nbsp;Both with a healthy dissatisfaction with how things are. &nbsp;</p>
<p>The uphill challenge Schlesinger&nbsp;faces now is to keep Babson financially strong in the midst of a recession and a changing educational environment. A decade ago, colleges and universities attracted new students with impressive new construction. But those days are gone, according to Schlesinger, and schools have to find new ways to stay competitive. Babson&rsquo;s new Fast Track MBA, for instance, requires only 30 percent of face-to-face class time. It has been a major booster of the college&rsquo;s enrollment and tuition dollars.</p>
<p>Just don&rsquo;t show up unless you&rsquo;re ready to play. Only &ldquo;na&iuml;ve organizations&rdquo; try to get everyone on the bandwagon, but Schlesinger says you only need a large enough critical mass to get things done.</p>
<p>Schlesinger is doing. &nbsp;And we're learning.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]></content:encoded></rss:item><rss:item rdf:about="http://creativitycentral.squarespace.com/creativity-central/2009/10/7/the-unusual-suspects-3-scenes-from-bif-2-humanity-and-humana.html"><rss:title>The Unusual Suspects 3: Scenes from BIF-2 Humanity and Humana</rss:title><rss:link>http://creativitycentral.squarespace.com/creativity-central/2009/10/7/the-unusual-suspects-3-scenes-from-bif-2-humanity-and-humana.html</rss:link><dc:creator>Creativity Central</dc:creator><dc:date>2009-10-08T01:30:50Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p>Where's the love? &nbsp;</p>
<p>A few nights ago, the comedian Lewis Black raged against the machine and asked, "does anyone really love their health insurance company?"</p>
<p>Greg Matthews, Director of Innovation at Humana has a true Quixotic mission -- to change people's perception of what a health insurance company means. &nbsp;As he took the stage at BIF-5, he flashed a slide on the screen that said if you boil it down to the pure essence "insurance companies like Humana are in the 'sickness and death' business."</p>
<p>No spin. Just the facts. &nbsp;</p>
<p>But the C-suite at Humana asked Matthews and other executives to explore how Humana was perceived in the marketplace and how they could change that dynamic. &nbsp;Reluctantly, Matthews, who was in Human Resources at the time, presented an alternative vision for the company: Health and Wellness. &nbsp;He said, reluctantly because it flew in the face of logic for a traditionally conventional industry.</p>
<p>But Humana's reception was positive. &nbsp;Matthews inherited a new job title and the task of building consumer percpetion of Humana as the health company of the future.&nbsp;His strategy is to leave the premium-claims side of health insurance to the financial gurus and focus instead on the purest side of the business.&nbsp; &ldquo;The future,&rdquo; he says, &ldquo;is going to be in creating and promoting health.&rdquo;</p>
<p>The innovation team at Humana has augmented its social media platform to spearhead several programs that get people walking, biking, calorie counting, dancing&mdash;and while they&rsquo;re at it&mdash;treating the environment respectfully.&nbsp; So far, the experiment seems to be paying dividends, even for Matthews. &nbsp;Since he started at Humana, he has dropped 20 pounds and became a runner.</p>
<p>His new role in leveraging social media has connected him to a growing community outside the company.&nbsp; At the same time, the face of Humana is changing.&nbsp;Part of this new initiative is Humana&rsquo;s Freewheelin&rsquo; bike-sharing program in Louisville, Kentucky, where the company employs almost 9,000 people.&nbsp;</p>
<p>Humana&rsquo;s employees tool around the city on shared bicycles while charting miles covered, calories burned and carbon saved.&nbsp; The company has created a joint venture company called Sensei, Inc., a mobile wellness enterprise that delivers daily nutrition and exercise tips via cell phone and PC.&nbsp; Humana is connecting to seniors with an annual Senior Games competition and some lower-key activities like casual dancing at the Humana Guidance Center in Las Vegas.&nbsp; Seniors come in to the Center with health coverage questions and spend most of their visit fox-trotting to a Dance Town video game.</p>
<p>To attract Generation Z, the Humana team has linked its &ldquo;Operation Planet Savers&rdquo; (OPS) online game&mdash;a competition that gets kids out in the back yard on weekly &ldquo;missions&rdquo;&mdash;with the new Disney movie &ldquo;G-FORCE.&rdquo;&nbsp; The company has also placed what Matthews calls &ldquo;completely goofy&rdquo; videos on YouTube that invite viewers click onto the Humana web site and take part in a &ldquo;Healthy Games&rdquo; idea competition.</p>
<p>Matthews is a rare kind of executive. &nbsp;He is a practical unrealist. &nbsp;He knows that health is about the ability to do things in life and that the spectre of illness and incapacitation&nbsp;(as well as the financial burden) is a shadow that clouds a "feel good" mission. But his goal is to plant the seed and deliver on the promise of how a health insurance company can focus more on health and less on the second half of their name.</p>
<p>That's more than innovative, it's healthy change for the better.</p>]]></content:encoded></rss:item></rdf:RDF>